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The epitaph on the grave she buried me goes like this: Here lies the control freak, self-absorbed SOB, egoistical commitment-phobe, snob, sloth sleazebag and a worthless excuse of masculinity.

Well, maybe I have exaggerated a bit, but the hyperbole is just the second edition of what actually she did (not) say before she walked out one me for a barely legal, over self-absorbed Jay-Z wannabe trapped and confused in the limbo of whether to be a man or forever a boy.
I guess now the only thing that we share is lifespans in futility alone, history on (un)fair(l)y tale  and big screen love written down tattered books of breakups history.

However, I can’t prefix whatever she used to be to me with ‘ex’. She’s still dear and close to me, and I hope she’d come back with tears in her eyes. I’d gloat for old times’ sake.


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Late Night Shootout at Embakasi

I see them go down. They couldn’t all be dead, but I want to make sure they stay down, forever. I aim and traverse the gun in the room, on the two lumps I assume to be them on the bed. And I don’t stop. Even if I don’t get them, ricochets will. I can see the door out of the bedroom; it is still closed, now riddled with bullet holes; if any of them survives, I won’t let them get to the door.

Mira’s Love Affair – 2

Mira was the best of them all. When she bared her boobs during one of my performances at Carnivore, my mouth went like ‘Whack!’ stopping me mid-lyrics. Her perky breasts pointed to the heavens as though her bust was thanking the gods of beauty for such a blessing. After the show, we went to my crib, where we stood the whole night and the morning after, I told her I wanted her to be mine for keeps.

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